Bakhtin's theory of the literary chronotope : reflections, by Nele Bemong, Pieter Borghart, Michel De Dobbeleer, PDF
By Nele Bemong, Pieter Borghart, Michel De Dobbeleer, Kristoffel Demoen, Koen De Temmerman, Bart Keunen
This edited quantity is the 1st scholarly tome solely devoted to Mikhail Bakhtin’s idea of the literary chronotope. this idea, in the beginning built within the Thirties and used as a body of reference all through Bakhtin’s personal writings, has been hugely influential in literary reports. After an extensive
introduction that serves as a ‘state of the art,’ the quantity is split into 4 major components: philosophical reflections, relevance of the chronotope for literary historical past, chronotopical readings and a few views for literary idea. those thematic different types include contributions via well-established Bakhtin experts resembling Gary Saul Morson and Michael Holquist, in addition to a couple of essays through students who've released in this topic prior to. jointly the papers during this quantity discover the consequences of Bakhtin’s idea of the chronotope for a number of theoretical themes similar to literary mind's eye, polysystem idea and literary variation; for contemporary perspectives on literary heritage starting from the hellenistic romance to nineteenth century realism; and for analyses of recognized novelists and poets as various as Milton, Fielding, Dickinson, Dostoevsky, Papadiamandis, and DeLillo.
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Additional info for Bakhtin's theory of the literary chronotope : reflections, applications, perspectives
The concept of “Time”, in Bergson’s view, is the key to the study of human experience. Experience is not only changeable in its spatial dimension – Heraclites’ flux is a whole of spatial changes – but also in a specific temporal dimension. Every observation, Bergson states, occurs from a changing observational consciousness; every state of things is colored by the observer’s lived time. Together with the observation that our spatial environment implies a flux of changes, the attentive observer observes that he or she is subjected to change too.
Book Page 23 Tuesday, May 4, 2010 5:47 PM THE FUGUE OF CHRONOTOPE 23 think, which must be able to accompany all others and which in all consciousness is the same, cannot be accompanied by any further representation. (1988, Vol. 2: 132) Put very simply, the mechanism by which we see cannot itself be seen: “Now it is very evident that I cannot know as an object that which I must presuppose in order to know any object” (1988, Vol. 2: 401-2). The radical nature of this neccessarily bifurcated (and therefore invisible) subject must be judged in light of the whole Western metaphysical and theological tradition that had before Kant conceived the individual person as essentially defined by having a soul.
Both are imaginal constructions tied up with the experience of duration. This experience takes various forms. And it turns out that the various forms of chronotopes distinguished by Bakhtin in his essays correspond with the types of images conceived of by Deleuze in his study of cinema, to wit: images of affection, action and relation. S. Peirce, who identifies three semiotic strategies by which reality can be analyzed. The first strategy is governed by the unitary: the image expresses a quality and demands to be judged for this quality.
Bakhtin's theory of the literary chronotope : reflections, applications, perspectives by Nele Bemong, Pieter Borghart, Michel De Dobbeleer, Kristoffel Demoen, Koen De Temmerman, Bart Keunen